Las óleos de todo Meindert Hobbema

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95955

A Watermill beside a Woody Lane

circa 1665(1665) Medium oil on canvas cyf

87042

A Wooded Landscape

1667(1667) Medium Oil on panel Dimensions 24 x 33.5 in (61 x 85.1 cm) cyf

67362

allen vid middelharnis

1689 se

33737

Avenue at Middelharnis

mk86 1689 Oil on canvas 103.5x141cm London,National Gallery

21812

Avenue at Middelharnis (mk08)

1689 Oil on canvas 103.5x141cm London,National Gallery

2319

Avenue at Middleharnis

1689 National Gallery, London

2323

Cottages Beside a Track Through a Wood

83861

Cottages beside a Track through a Wood

Medium Oil on panel cjr

87726

Cottages beside a Track through a Wood

Oil on panel cyf

90247

Dorf mit den Wassermuhlen

c. 1668(1668) Medium oil on panel Dimensions 59 x 82 cm cjr

86116

Hut among Trees

Date 1664(1664) Medium Oil on canvas cjr

67361

kvarnen

1692 se

10252

Landscape

Panel,Alte Pinakothek,Munich

10251

Landscape with a Hut

c. 1660 Oil on wood, 53 x 65 cm Museum of Fine Arts, Budapest

89675

Landscape with a Hut

1660(1660) Medium oil on panel cyf

2320

Road on a Dyke

1663

10253

Road on a Dyke

1663Oil on canvas 108 x 128,3 cm

31331

The Alley at Middelharnis

nn07 1689 Oil on canvas, 103,5 x 141 cm National Gallery, London

43179

The Avenue at Middelharnis

mk170 1689 Oil on canvas 103.5x141cm

40525

The Avenue at Middlehamis

mk156 1689 Oil on canvas 103.5x141cm

43180

The Ruins of Brederode Castle

mk170 1671 Oil on canvas 82x106cm

2321

The Travelers

1662 National Gallery of Art, Washington DC

10254

The Travelers

1663Oil on canvas National Gallery of Art, Washington

10256

The Water Mill

1660Oil on canvas 80 x 66 cmLouvre

10257

The Water Mill

The Water Mill 1663Oil on wood 77,5 x 111 cm Musees Royaux des Beaux-Arts, Brussels

89758

The Water Mill

between 1663(1663) and 1668(1668) Medium oil on panel cyf

89782

The Water Mill

second half of 17th century Medium oil on oak cyf

20605

The Water Mill (mk05)

Canvas 31 1/4 x 26''(80 x 66 cm)Acquired in 1861

10258

The Watermill Oak

59,5x84,5cm Gemaldegalerie, Dresden

43181

The Watermills at Singraven near Denekamp

mk170 1665-1670 Oil on oak 60x84.5cm

92719

View Along the Amstel

c. 1660 Medium English: Oil on panel Dimensions 13 3/4 x 18 3/4 in. (34.9 x 47.6 cm) cjr

38197

Village with Water Mill Among Trees

mk29 Oil on oak panel 94.3x129.8cm

24179

Watermill beside a Woody Lane (mk25)

166(5 or 8)

82184

Windmill at the Riverside

Date ca. 1659/1660 Medium Oil on panel Dimensions 28 x 37 cm cjr

85844

Windmill at the Riverside

1659/1660 Medium Oil on panel Dimensions 28 x 37 cm cyf

24180

Wooded Landscape with Travellers (mk25)

1668

10259

Wooded Landscape with Water Mill

1662 Oil on canvas Art Institute of Chicago

2322

Woodland Road

Metropolitan Museum of Art, New York

Meindert Hobbema

1638-1709 Dutch Meindert Hobbema Galleries In the exercise of his craft Hobbema was patient beyond all conception. It is doubtful whether any one ever so completely mastered as he did the still life of woods and hedges, or mills and pools. Nor can we believe that he obtained this mastery otherwise than by constantly dwelling in the same neighbourhood, say in Guelders or on the Dutch Westphalian border, where day after day he might study the branching and foliage of trees and underwood embowering cottages and mills, under every variety of light, in every shade of transparency, in all changes produced by the seasons. Though his landscapes are severely and moderately toned, generally in an olive key, and often attuned to a puritanical grey or russet, they surprise us, not only by the variety of their leafage, but by the finish of their detail as well as the boldness of their touch. With astonishing subtlety light is shown penetrating cloud, and illuminating, sometimes transiently, sometimes steadily, different portions of the ground, shining through leaves upon other leaves, and multiplying in an endless way the transparency of the picture. If the chance be given him he mirrors all these things in the still pool near a cottage, the reaches of a sluggish river, or the swirl of the stream that feeds a busy mill. The same spot will furnish him with several pictures. One mill gives him repeated opportunities of charming our eye; and this wonderful artist, who is only second to Ruisdael because he had not Ruisdael's versatility and did not extend his study equally to downs and rocky eminences, or torrents and estuaries - this is the man who lived penuriously, died poor, and left no trace in the artistic annals of his country. It has been said that Hobbema did not paint his own figures, but transferred that duty to Adriaen van de Velde, Lingelbach, Barendt Gael, and Abraham Storck. As to this much is conjecture.

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